The fray scars and stories album download
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The beautifully crafted harmonies go hand-in-hand with the delicate but agile arrangements that The Fray have become so well known for. While providing a beautiful complement to an otherwise pedestrian electric guitar display, the melodies on ‘Heartbeat’ send Scars & Stories on its way in an uplifting, almost spiritual mood.
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It features a melody more liberating than anything they have produced since ‘How to Save a Life’, with ooh’s in the chorus that would have felt right at home on Mylo Xyloto. ‘Heartbeat’, for instance, is quintessential Fray. There is once again an emphasis on tune sense, which can be heard from Isaac Slade’s heartfelt (albeit nasally) vocals to the pianos which serve as the music’s steadfast foundation. The crystallization of their style is more evident than ever, with crashing cymbals, elated bells, and the occasionally heavy riff to drive everything home. That is one aspect that has never troubled The Fray, and Scars & Stories continues their trend of refining and honing in on their product. If a band is to rest in its laurels yet remain vital, consistency is a must. It is no wonder then that their latest offering, Scars & Stories, chooses to defend the band’s empire instead of pushing towards newer and greener pastures. With a flair for poignancy and an undeniable knack for expressive eloquence, The Fray have garnered significant respect within both the alternative and the mainstream communities.
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Their music, while noticeably fluffy and inoffensive, is equally if not more contagious. Within those confines, however, it is difficult to say that they have ever done anything conspicuously wrong. They conform to the stringencies of modern pop, carefully tucking themselves into the same corner as soft-rock titans like Coldplay, Snow Patrol, Keane, and The Script. The Fray have never done anything unexpected. Big in sound and ambitious in scope, Scars & Stories aims for a wide audience but doesn’t lose its humanity in the process.Review Summary: The Fray continue plodding down paths already traveled, succeeding in spite of their resemblance to other contemporary piano-rock outfits.
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Lead singer Isaac Slade continues to project a heroic (if tormented) presence in defiantly idealistic numbers like “Heartbeat,” “Here We Are," and “The Fighter.” He takes on a seafarer's spirit in “The Wind” and delivers a compelling romantic vignette in “Rainy Zurich.” The band’s underlying Christian faith is expressed most clearly in the stately, hymn-like “Be Still.” At its best, The Fray has the power to disarm the most cynical listener with a heartfelt ballad-it does that here in “I Can Barely Say,” a falsetto-tinged confession of need draped with dramatic orchestration. Producer Brendan O’Brien pushes The Fray toward a more muscular, aggressive sound while retaining the graceful piano interludes that defined the band’s earlier work. On its third album, The Fray journeys across physical and emotional landscapes as it fortifies its music with a bolder production approach.